As expected, this was a refreshing beginning to the Vic Opera 2017 season. Vic Opera can be relied upon to come up with original, fresh offerings, leaving traditional grand opera to other companies. So one goes to a Vic Opera performance with open ears and an open mind.

The title comes from a play, written close to Shakespeare’s time: ‘Tis Pity She’s a Whore, by John Ford, written in 1633. As with the two other productions of hers I’ve seen (Die Sieben Todsunden, Brecht/ Weill and Music of Berlin – with Barry Humphries), Meow Meow was the centre-piece. The production probably couldn’t have come off without her. According to the program notes, director/ writer Cameron Menzies was inspired by working with Meow Meow on the Brech/Weill production and this led to the idea of a show about the history of prostitution. He worked on this concept with Richard Mills…