Speaking of book launches …
The day after the launch of Lily Campbell’s Secret, way across the globe in Pennsylvania, San Fedele Press will celebrate the release of American Writers Review 2019 with an ice-cream social at Wilkes University.
If only Elwood Writers could go along to this. Not just because we adore a good old ice-cream social, but because three of our writers have work included in this terrific anthology. More about that later. Congratulations to Margaret, Helen, and Barry, and to all of the other contributors in this latest edition of AWR.
Friday 14 June, Wilkes University, Henry Student Center Ballroom (2nd floor), 7:30pm for readings, mingling, and ice-cream.
Helen McDonald’s poem Deluge is published in Poetry Matters, Issue 31, November 2017 (edited and published by Cheryl Howard).
From the journal’s website: “Poetry Matters is a home-grown print poetry journal that began in Spring 2006. Censorship can take many forms. The inability to find a place of publication can be social censorship. Poetry is freedom.”
To discover more about Poetry Matters and to find out how to subscribe, click here.
Poetry matters! Hashtag poetry!
Elwood Writer Helen will be reading two of her poems – “Twilight” and “Loss” – tomorrow afternoon at Chamber Poets in Woodend (Saturday 9th December 2017).
Venue: Woodend Neighbourhood House, 47 Forest St, Woodend, Victoria 3442
Hosted by Myron Lysenko
Featured Poet: Alan Wearne
John Flaus Reluctant Poet Segment
Black Forest Smoke
Entry by donation, raffle for book prizes. BYO alcohol. Tea & coffee facilities available, or visit nearby cafes for a cup.
2 p.m. for a 2.30 start
Another spirited meeting of the Elwood Writers this week. Inevitably, domestic and world political affairs loomed over the general discussions again. It seems we’ve entered a new age of anxiety. Before our collective blood pressure soared too high, we made teas and coffees and got down to literary business.
Barry proposed sharpening up the structure of the group’s workshopping sessions. In place of an informal general discussion about a particular piece of writing we agreed to try a more targeted approach where we each have five minutes to deliver individual feedback. This new format will allow us to focus during meetings on the more salient or urgent responses to a piece of work. So that nothing is overlooked, all comments and observations will continue to be captured within the marked up documents that return to the writer of the piece under consideration.
In this week’s workshop sessions, Helen talked about a book she’s recently acquired, Contemporary Australian Poetry (Puncher & Wattmann). Her poetry library is growing. She has approached the form in a somewhat unconventional way, beginning to write it before studying it closely. But that may prove to be an advantage. Margaret shared a piece of work that was conceived during a writing workshop she attended last year. Barry shared the first 2000 words of a reworking of one of the stories from his linked collection. He’s been experimenting with blocks of second person narration in the piece, and was keen to see if this was working. Finally we were introduced to a new character from Jenny’s novel when she presented a recently developed section from the work.
We’re going to return to second person narration/point of view in a future meeting for a fuller discussion of its features and applications.
‘What is written without effort is in general read without pleasure.’
It was another lively session at Elwood Writers, especially with world events as they are. We discussed the group goals for 2017, including our planned soiree in August where we will read from our own work. As the group prepares to attend Adelaide Writers’ Week in March, we looked at the possibility of designing individual business cards that reflect our status as members of Elwood Writers.
In the past fortnight, Margaret attended Lee Kofman’s Introduction to Memoir: Telling the Emotional Truth. Lee reminded the class that memoir is always about memory, it is always told from your point of view, and is not so much about what happens to you as it is about ‘what you make of it’. She emphasized that the narrator must always be specific in their writing, that is give details. When asked about the importance of telling the emotional truth in memoir, she said, to paraphrase Samuel Johnson: ‘Books that don’t do any harm don’t give any pleasure.’
In the workshopping sessions, Margaret read a piece from her memoir that is currently ‘placeless’ (as Lee would say) in her narrative, but important to it. Jennifer is preparing her first contribution to a short-story writing online class that she has enrolled in. Her story is most topical and we await the class feedback. Barry read a piece of fiction he intends submitting to a literary journal. Helen presented a new poem written ‘off the cuff’ in a poetry class she attended. We look forward to hearing more about this at our next session.