While last year was taken up with the production and launch of our anthology Every Second Tuesday, each of us was also busy working on our individual projects. We all rounded off the year on personal highs.
Margaret’s story ‘Pastry Fever’ appeared in the Fall 2020 edition of Door Is A Jar literary magazine (Issue 16). Door Is A Jar is a US publication of poetry, short fiction, nonfiction, drama and artwork.
Helen was excited to have her poem ‘In deep blue’ selected for Democratic Poetic | Poetry Matters Issue 40 December 2020, a gathering of the journal’s finest poems from 2006 to 2019.
The successful launch of Barry’s first book Broken Rules and Other Stories in September was followed by the publication of Every Second Tuesday, and Barry is already planning and writing his next book.
The creative spirit surges. Watch this space throughout 2021 for more Elwood Writers news.
There’s another chance to hear last night’s special edition of Cover to Cover on Vision Australia Radio tomorrow at 1:30PM (AEST). You can listen live from anywhere in the world with an internet connection. Just follow the links on the VAR website, here.
This program was first broadcast in winter 2019, and was chosen for rebroadcasting. It features fiction, memoir, and poetry written by, and in some cases read on air by, Elwood Writers.
The Vision Australia Radio Network incorporates ten community radio stations across Victoria, southern New South Wales, Adelaide and Perth. There are also five digital radio services available in the three metropolitan areas as VAR, VA Radio and IRIS.
We may have been in lockdown for a few months but Elwood Writers has been busily putting the finishing touches to a project we’ve been working on over the past two years. We’re currently checking printed proof copies of Every Second Tuesday, an anthology of our writing drawn from over the last ten years.
Now we’re excited to share news of the anthology’s forthcoming publication in both paperback and ebook forms. We’ll keep you posted …
It’s been another lively year for Elwood Writers, both individually and collectively. There are too many highlights to pick and choose for an end-of-year wrap-up. But this might be a good opportunity to say special congratulations again to Jennifer, whose first novel Lily Campbell’s Secret was published in May, and launched at Readings in Carlton by Toni Jordan in June. And a happy hooray for Helen, whose poems were published far and wide this year, including two in the US. Two excerpts from Margaret’s full-length draft manuscript were published in American Writers Review (San Fedele Press). Well done, Margaret. And Barry had a short story included in the winter issue of Roomers magazine, and has also contributed to the brand new summer issue.
For a more comprehensive picture of all we’ve been up to, we’d invite you to take a look back at our posts over the year. You can access all our previous posts in the archives section on the right-hand side of this page.
Thanks very much for your company here on the website. We look forward to seeing you again in 2020. There are a couple of exciting projects lined up, and we’re itching to share more on these in the coming weeks. For now, happy reading and writing, and all the very best wishes of the season from Elwood Writers.
If only Elwood Writers could go along to this. Not just because we adore a good old ice-cream social, but because three of our writers have work included in this terrific anthology. More about that later. Congratulations to Margaret, Helen, and Barry, and to all of the other contributors in this latest edition of AWR.
Friday 14 June, Wilkes University, Henry Student Center Ballroom (2nd floor), 7:30pm for readings, mingling, and ice-cream.
We’ve more exciting group projects planned for 2019, kicking off with an excursion to Adelaide for Writers’ Week in March. We’re thrilled to have been invited to collaborate with Tim McQueen and the team at Cover To Cover for another themed program on Vision Australia Radio, and will post more about that closer to the time. Also in the pipeline is another soiree, possibly towards the end of the year.
And of course our individual projects continue, with material regularly workshopped within our fortnightly group meetings.
With so much going on and coming up, from time to time it can be useful to consolidate and reflect. In that spirit, we’ve created a dedicated page on the website for recordings, mostly podcasts, of our group radio programs. All our programs for Cover To Cover beginning with Starting Over in January 2015 can now be accessed easily in one place, here, or by clicking on the link below:
We look forward to updating this podcasts page with the recording of 2019’s radio program later this year.
There’s much to look forward to, and always so much to write about. Here’s to a peaceful year; happy reading, listening, and writing.
Margaret’s notes on the Elwood Writers soiree held in August at St Kilda Library:
The Elwood Writers 2018 soiree was our third in a series of evening readings. The group’s first two events were held in a private home where we tested the performance waters with family and friends. This year we branched out a little, presenting at a local public venue and inviting a slightly wider audience.
The concept of a soiree is loosely based on the old-fashioned, European notion of a ‘salon’. People are invited to gather and enjoy themselves while being entertained with stories and musical interludes.
As my own work is mainly memoir and of a personal nature, I can find public readings to be challenging. But I have to be willing to open my soul, while protecting myself with the suited armour of a story and carefully crafted narrative.
Despite the challenges, however, in the long run I value the opportunity to leave my comfort zone (the support of my group and the patient listening of my partner), to spring into the exhilarating and expectant atmosphere of a live audience, whether this be with friends or strangers.
The audience’s response to us can be subtle. It might come in the form of a sigh of satisfaction or as a wave of relief (or even agitation) that ripples through the crowd. One might detect a murmur at the end of a story or poem, or a facial expression of pleasure or questioning. But despite any nervous apprehension on my part, I would not be willing to miss the experience for anything.
The graduation from working solo to public performance is all in the path of the writer, I believe, where she must firm her step and ready herself to stride forth into the realm of the more global sphere.
This Friday at 8:00 PM (AEST), Vision Australia Radio is broadcasting a special edition of Cover To Cover to mark the centenary of the end of the First World War. The entire program features work from the Elwood Writers.
Join us as Jennifer reads an extract from her novel set just after World War I, and a short story set in England at the time of the war. Helen reads ‘Reflections on My Grandpa’, a factual account of her grandfather’s experiences during the First World War and after. ‘Down to the Sea’ features Margaret’s memories of her grandfather, who had been a surgeon at Gallipoli. In Barry’s short story ‘Chloe’, a newly enlisted soldier is captivated by a portrait on the day he leaves home to serve overseas.
You can listen on the radio in Australia, or online from anywhere in the world. The program will be repeated on Sunday 11 November at 1:30 PM (AEST), and available shortly afterwards as a podcast. For listening and other information and streaming links, visit the Vision Australia Radio website, here.
We hope you can make it, and look forward to your company.
Cover To Cover is produced and presented by Tim McQueen in the studios of Vision Australia Radio in Melbourne.
This recent post from Jennifer’s website includes details of a special Armistice Day edition of Cover To Cover on Vision Australia Radio. The program will feature work from Elwood Writers, and will be broadcast this Friday 9 November, repeated Sunday 11 November.
For much of my life World War I has hung in the dim past; a brown and white strip of celluloid showing huge, cumbersome guns, and soldiers marching through mud, sometimes at a pace speeded up by old movie film. People in my immediate family didn’t talk about it much, although my grandfather was there, […]