The anthology is simultaneously accepting regular submissions – the window for this closes a month later, on September 1, 2025. Again, please familiarise yourself with the guidelines before submitting your work. See here for details.
Editor Donna Ferrara is seeking contributions in a wide range of categories, including visual art and photography – and, for the first time, drama/monologues.
For our new issue, we are seeking written work and imagery that springs from the moment when the best-laid schemes have turned to dust. The crash can be obvious, subtle, even not yet realized. The piece’s point of view could be disappointed or triumphant or oblivious. The moment of remorse could be immediate, in the future, or long in the past.
We’ve established a very productive relationship with San Fedele Press over the years, with our fiction, memoir and poetry appearing in a variety of their publications. International literary connections such as this are so important, and well worth nurturing, especially in these troubled times.
If you decide to enter the contest, and we hope you do, we look forward to receiving your work.
In February, Elwood Writers went away on a retreat – our first as a group. We rented a cottage in Victoria’s spa country, on the land of the Dja Dja Wurrung people. Our honorary canine member and muse, Ruby, joined us, enjoying the run of a huge backyard – the leafy haunt of kangaroos, possums and other bush creatures. A ten-minute walk from the cottage lay sleepy Hepburn Springs; forty minutes the other way, the gentle streets and beautiful lake of Daylesford.
We’d loaded the cars with supplies, so had everything we needed on arrival. We took turns cooking the evening meal, and on the fourth night we enjoyed feasting on all the leftovers. After dinner each night, over coffee and tea, we read our work aloud and discussed it, accompanied by Ruby’s contented snores. There were always nibbles on the table — a square of vegan chocolate, a morsel of fruit, a handful of nuts. Not quite dessert or afters, and certainly not pudding — more like mignardises, perhaps. Just enough to linger over as the evening unspooled.
From Helen:
“For me to leave behind the myriad distractions of daily living and immerse myself in all things writerly was a gift. This was my first writers retreat and I set myself a list of goals before I left home, my main plan being to finally complete a long-term project: a draft of my first collection of poems. With this total focus on the job at hand, along with evening readings and daily check-ins with my fellow Elwood Writers, I found my focus. It was with a sense of achievement that I entered the last poem into my manuscript at the end of the week.
“There was time and opportunity also to develop those poems and jottings I considered to have ‘legs’ and read those aloud after supper. There are, of course, other ambitions I wish to pursue, and I can’t wait for our next writers retreat in July to knuckle down, ears closed to all but the crackle of firewood.”
From Barry:
“I set an intention from the start: to read out around 1,500 words from my manuscript each evening. I managed to meet that goal, and one night read closer to 2,500 words. Helen and Margaret are generous, patient listeners, and always provide constructive and insightful responses. In all, during the week away, I presented close to 10,000 words of the novel. More of a writing intensive than a retreat!
“I enjoy crunching numbers, and that 10,000 words represents a fifth of the entire manuscript. Keeping figures like this in mind gives me a sense of where I am, and how the work is progressing. That it’s progressing at all is very satisfying.”
From Margaret:
“No sooner was I there … than I went on an excursion into town. On the day of our arrival, I’d spied a small, cosy café in the main street, which looked perfect for writing. Sure enough, it turned out to be a lovely, muted space with excellent hot chocolate to boot. I’d become one of those people who dreams of travelling to Paris, but once there immediately plans on where to go next.
“On the first day in my regional café, I asked the barista why it was named The Himalayan. He explained that it had something to do with the area’s geographical ‘ley lines’ and their connection to the powerful energy of Nepal. If this was so, then I’d found my spot. On the following day, the cafe’s electricity went out, forcing the other patrons to vacate. Only writers might say to themselves, oh good, now that it’s gone dark I have time to write and think. My piece was about Remembrance Day for soldiers (and their daughters), and in that instant I’d found my peace.”
Thanks to Helen for letting us know that the Woodend Haiku Festival is taking place throughout April around the town. Festival director Myron Lysenko is the Victorian representative of the Australian Haiku Society, and also founder and convener of Chamber Poets.
Various events are occurring throughout this month, coinciding with International Haiku Day on April 17.
… include a month-long haiku contest with an autumn theme, pop-up haiku poetry recitals, a free haiku picnic from 10am–1pm on April 2 at the Woodend Children’s Park, and a haiku-focused Chamber Poets event from 1–4pm on April 12.
2 April 10am-1pm Haiku Picnic. Woodend Children’s Park.
12 April 1pm-4pm Chamber Poets #109, Woodend RSL. Featuring internationally renowned poets from the Victorian based haiku group The Fringe Myrtles, plus Open Section and haiku music by Black Forest Smoke.
17 April 10am-midday Woodend Library. Free. Celebrate the magical, wonderful world of haiku. Listen to readings or be guided into writing your own.
17 April 1.30-3.30pm Woodend Neighbourhood House. Free. Poets will read haiku to you, write one about you or help you write one.
30 April 6pm- 8pm Haiku Dinner at the Victoria Hotel, Woodend. $22 for meal and a drink.
Local poet and festival director, Myron Lysenko, is a representative of the Australian Haiku Society and has organised a range of activities to celebrate all things haiku, coinciding with International Haiku Day on April 17.
Star Weekly 01/04/2025: Chamber Poets convener Myron Lysenko, and collective volunteers Jenny Zimmerman, Helen McDonald, Wendy Purcell, Talon Gostelow and Linda Stuart at the Woodend RSL. (Damjan Janevski). 466737_01
We’re enjoying reading the stories in The Pearl Prize 2025 – An Anthology of Queer Writing from Across Australia. This year’s theme: Queerness beyond the ML and AI in (A) ARTificial space.
Barry was one of the fifteen finalists in this year’s prize, so his story ‘Who Was Avery Rottedean?’ is included in the book. He wrote a blog post about the prize in January – a wonderful start to the year, for him and the group.
We were taken with the softcover and hardback versions of the anthology, and really couldn’t decide between them, so chose to get both. And why not! They’re handsome additions to any bookshelf. If you’d like to get your mitts on a copy, follow these links to Readings, or Hares & Hyenas, or get it direct from the publisher.
That sentence counts as January’s post – we’re feeling a bit lazy. No, just kidding. But January has always been a month off for the group. It’s a chance to gather our thoughts in readiness for what promises to be a dynamic twelve months ahead. The diary already looks busy, holding such delights as a writing retreat and planning a new radio gig. Perhaps there will even be a fresh look for the website. If you want to hear more, you’ll have to stay tuned.
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That’s it for now, a sweet and simple message, no tags. Let’s ease in to 2025 nice and gently.
A selection of Helen’s poetry and haiku, read by Helen herself, was broadcast recently on Vision Australia Radio’s weekly literary program Cover to Cover. Episode 552 went to air on Friday 22nd November, repeated Sunday 24th November. Fabulous, Helen – what a treat!
In case you missed the program, the podcast (published Nov 26, 2024 at 2:11 PM) is available below:
Also included in this program are Katherine Mansfield’s ‘The Sister of the Baroness’ and Damon Runyon’s ‘The Broadway Financier’, both read by Barry Leviny.
A sound file of the recording can be accessed by clicking here.
Cover to Cover is produced in the studios of Vision Australia Radio in Kooyong. The program is presented each Friday evening by Tim McQueen, and repeated on Sunday afternoons.
As we move towards December, when the end of another year will be within touching distance, I’m again feeling that time marches on faster and faster and faster. I once met someone who claimed to know the secret to slowing things down. Make a cup of tea, they said. That was it, no elaboration, and I didn’t probe. I think I see where they might have been coming from. Like the watched pot never boiling, the carefully crafted and considered cuppa never cools. Maybe.
Anyway, with time at a premium, this September post from Margaret McCaffrey seems particularly apt. Five minutes to write a book. Tell us more, Margaret. Oh, hang on, does that asterisk point the way to a disclaimer? No, apparently not, it’s marking a shout-out to the film that suggested the title for the blog post. I’m going to make a cup of coffee (I don’t like tea) and dive into the post and learn the secret to writing that five-minute book.
Nevertheless, for a few glorious moments in my quest for sightedness, I’d experienced that rare writerly feeling of accomplishment. And it had all been soeasy.
Happy reading and writing and tea or coffee drinking. Or whatever your poison is.
Here’s the podcast of last week’s episode of Vision Australia Radio’s Cover to Cover, a special edition of the weekly literary program featuring the work of Elwood Writers:
Elwood Writers presents: The Writers’ Choice
‘Elwood Writers Presents: The Writers’ Choice’ features memoir by Margaret, fiction by Barry, and poetry by Helen – all read by the writers themselves.
This episode can also be found over on Spotify, or wherever you choose to get your podcasts. If you’d rather access the recording via a sound file, we’ve got that covered – just click here.
Don’t forget, one of the best ways of supporting our work is to give it your time. So sit back, relax and enjoy being transported by our stories.
If you didn’t catch Cover to Cover on Vision Australia Radio (VAR) last night for ‘Elwood Writers presents: The Writers’ Choice’, there’s another opportunity to hear the program tomorrow afternoon. The repeat airs at Ipm Sunday in Melbourne, but you can check out local times at the VAR website, here. You don’t need a transistor radio, either: wherever you are, you can listen online at the VAR website – just click here and hit the ‘Listen live’ button.
We were moved by Margaret’s memoirs, unsettled by Barry’s ghost story, and carried to a place of peaceful introspection by Helen’s poetry.
EW
If you missed Friday’s broadcast, and you can’t make Sunday’s, don’t worry: we’ll be posting a podcast and recording of the program on this website sometime next week. Make sure you don’t miss any updates by clicking the ‘Subscribe’ button at the end of this post.
🎧 Tune in to Cover to Cover on Vision Australia Radio this Friday evening – it’s another Elwood Writers special! 🎧
Elwood Writers presents: The Writers’ Choice, includes:
📖 Memoirs by Margaret McCaffrey 📚 A new short story by Barry Lee Thompson 🖋️ Selections of poems and haiku by Helen McDonald
Don’t miss this literary showcase!
Vision Australia Radio
Check varadio.org for program times near you. If you can’t join us on Friday, catch the repeat broadcast on Sunday. And if you can’t make that either, we’ll be sharing a recording or podcast of the program on this site next week. So if you haven’t already, subscribe to Elwood Writers below to stay in the loop – it’s completely free and will remain free forever. How fab is that!
Happy listening!
EW
P.S. Do subscribe if you haven’t already – it’s a really good way to support our work, and we promise you won’t be disappointed. That subscribe button is coming up again at the end of the post. Here it comes …