It’s a squarish room, plain by day, and nothing to speak of. But after dark, when the lamps are lit and the candles positioned, the room takes on an inviting glow, and were you to walk inside from the chill of a wintry evening, throwing off your coat and rubbing your hands together, you’d think […]
via THE GHOSTS — BARRY LEE THOMPSON
A recently posted piece of very short fiction from Barry’s blog.
“Don’t put any lights on. It’s better this way. We don’t need lights. There’s nothing to be afraid of.”
Barry’s short story Interrupter, published in pocketbook format by In Short Publishing Co. (2015), was recently dramatised for broadcast on Vision Australia Radio’s weekly Cover To Cover literary program. The podcast of the program is available here.
American Writers Review Summer 2018 Issue includes work from two Elwood Writers: Loss, a poem by Helen McDonald, and The Longstanding Arrangement, a short story by Barry Lee Thompson.
American Writers Review Summer 2018 Issue, available from Amazon and Barnes & Noble.
“American Writers Review is a multi-genre literary journal published by San Fedele Press. For five years, AWR has shared fiction, non-fiction, poetry, photography and art from a diverse group of contributors. We welcome writers of all experience levels, who want to explore their art with us.”
Barry is co-facilitating a flash fiction workshop with Melissa Goode at this year’s Sydney Writers’ Festival.
Flash! is on Saturday 28 April at Varuna, the National Writers House. The morning session is now sold out, but an afternoon session has been added and some tickets are still available for this.
For details visit:
Barry’s short story Interrupter has been dramatised for broadcast on Vision Australia Radio in April. Details can be found at this link to his website:
Interrupter on the wireless
It’s all about mothers on Friday evening at 8:00 p.m. as Cover To Cover on Vision Australia Radio features writing from the Elwood Writers for a special Mother’s Day edition of the program. What better way is there to spend an autumn evening? So turn on and tune in, then settle back and lose yourself in an hour of storytelling. We’re especially thrilled that for this program some of us will be reading our own pieces on the air.
There’s a handy frequency-finder drop-down menu here, and the program can be live streamed here. Don’t forget that VAR now broadcasts in Perth too. Details here.
For Melbourne listeners, the Vision Australia digital radio service is on your digital radio under ‘VAR Digital’. Or you can listen in at 1179AM.
The program will be repeated on Sunday at 1:30 p.m. Or, you can listen to the podcast as soon as it’s available on the Vision Australia Radio home page, here. If you’re listening in Adelaide, Cover To Cover airs once-weekly at 7:30 p.m. on Sundays.
We hope you can join us.
Thank you for listening.
The search for a distinctive and productive way to use some of my Overland VU Short Story Prize money, other than just for paying the rent and bills, has brought me to Ubud in Bali for a few weeks. While I’m here, I’ll be working on my short-fiction collection. I’ve visited Ubud several times for its writers festival, and wanted to experience its mood at a different time of year. There’s a tradition of artistic activity, and a number of creative workers are based here, so it’s not unusual to arrive looking for escape and a workspace. Importantly, it’s an inexpensive destination, and so I’m able to visit for a significant period of time.
I’m staying in a room overlooking the rice fields of Jalan Bisma. The main streets of Ubud are a short walk away. My stay includes breakfast and unlimited Indonesian tea and coffee, and there’s a swimming pool in the grounds. I spent the first few days shaping a daily routine, and shaking off a faint anxiety around doing visitor activities. But the pressure’s off. A huge relief. No tours required. No need to try different venues for food or coffee. I’ve had dinner in the same Padang restaurant for the last five nights, followed by consistently good espresso-based coffee from a nearby bakery. There’s no need to visit the sights; I did it on a previous visit. The guidebook’s in the bin. It’s liberating to explore without an agenda. Gradually, the commercial spruikers of Jalan Raya Ubud are realising they’re barking up the wrong tree with me. Or at least the chants of “taxi” and “transport” are sounding fainter in my ears. My main requirement is that my keyboard clacks and my pencil scratches for a few hours each day.