Blog posts

TONGUE | from Roomers #62

Here’s a short story from Barry that was originally published in Roomers magazine #62 earlier this year. It’s called “Tongue”.

Barry Lee Thompson's avatarBarry Lee Thompson

1978, a birthday party. One of those once in a blue moon family dos where a local hall gets hired, there’s catering, a DJ. The adults end up drunk and misty. Someone overdoes it, creates a spectacle. There’s a fight. No blood’s spilled, but there’s harsh words, someone gets upset, there’s tears and the gin gets blamed. And so on. That kind of a night.

I spent most of it watching Tommy and trying to pretend otherwise. I’d always thought of me and him as the same age, nearly, but since the last time he’d become old enough to drink and smoke and that was ages away for me. He danced a lot towards the end. Swaying, tie loose, long legs. The combination was unbearable.

Then the goodbyes. My eyes stinging from the late hour and the cigarette smoke. Nancy came over for a hug. Dad’s sister, so Aunty I…

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The Power of the Mic

“The idea of reading in rowdy bars in small-town America was nerve-wracking to me as a student there. But once on stage I adopted a persona, and one that I quite liked.”
On the transformative powers of the microphone, from Elwood Writer Margaret McCaffrey’s blog:

Margaret McCaffrey's avatarWRITINGS AND MUSINGS OF MARGARET MCCAFFREY

In September Elwood Writers recorded our Fathers’ Day stories for Vision Radio Australia (VAR).

I accompanied Barry to the studio for his reading of ‘Phase’, a story about a young man whose relationship with his father deepens and evolves as he explores his sexuality.

While Barry read, presenter, Tim McQueen, edited on the other side of the soundproof glass panel. Barry has a mellifluous voice and it was thrilling to hear his coming of age tale lift of the page and take on a new life. (‘Phase’ is humorous in parts and I had to keep from laughing.)

Singers– whether on stage or in the studio – know the power of the microphone. The amplification of voice carries their music to a wider audience – freeing them to become the song.

The same goes for the spoken word.  The Open Mic forum lets you focus on the true…

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Fathers Day Broadcast

On Friday 1st and Sunday 3rd September, Vision Australia Radio presented a special Fathers Day edition of its Cover To Cover literary program, featuring the work of Elwood Writers. If you missed the program, there’s now an opportunity to hear the podcast at your leisure here.

We hope you enjoy the stories. We welcome feedback, so if you have any thoughts you’d like to share, please voice them in the comments field below.

Happy listening! from Elwood  Writers.

In case you missed it …

Next Friday, the work of Elwood Writers will feature on a special Fathers Day edition of Cover To Cover on Vision Australia Radio. In the meantime, here’s another opportunity to listen to last year’s Mothers Day edition of the program, also featuring the work of Elwood Writers:

Barry Lee Thompson's avatarElwood Writers

We’re thrilled to share the podcast of the special Mother’s Day edition of Cover To Cover from Vision Australia Radio. The entire program featured work from the Elwood Writers. And thanks to Tim McQueen and Vision Australia Radio, we were given the exciting opportunity to read our own work on the air.

Here’s the podcast link:

https://www.podbean.com/media/player/zc2fq-5f2e5d

We’d love to hear what you think of the program. Let us know in the comments section below. Happy listening!

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Fathers Day

Elwood Writers are going to be on the radio again! This time it’s for Fathers Day 2017: Jenny, Barry, Margaret, and Helen will be shining a light onto many facets of fatherhood through a selection of their literary work, including pieces of poetry, fiction and memoir. Their stories will be broadcast on the Cover To Cover program, Vision Australia Radio on Friday 1st September at 8:00 p.m., and repeated on Sunday 3rd September at 1:30 p.m.

Tune in!
There’s a handy frequency-finder here and the program can be live streamed around the world here. VAR broadcasts in Perth too. Details here. For Melbourne listeners, the Vision Australia digital radio service is on your radio under ‘VAR Digital’. Or if you’ve got an old school wireless you can listen in at 1179AM.

Jewels of San Fedele

Margaret is pleased to be a contributor to the anthology ‘Jewels of San Fedele’, which comprises the work of 14 women who attended a writing retreat in Italy, 2016. The ‘experiential’ classes were designed to have students deepen their work. Margaret’s two stories are excerpts from a memoir in progress.

‘Jewels of San Fedele’ is edited by D Ferrara and Patricia Florio, and is available from Amazon at the following link:

MOTEL

A piece of microfiction from Barry’s site:

Barry Lee Thompson's avatarBarry Lee Thompson

He stopped swimming, and floated in the middle of the pool. I watched him closely, the long thin line of body broken by the blue of his swimming trunks. Then I imagined the trunks gone. It was easy, really, but almost unbearable. He started to swim again, towards me, then tumbled over at the end, and started up the other way. And he kept on, lap after lap. It was good to watch. Mesmerising. But that’s all it was. Over and over. I became a little bored. Maybe not bored, but it wasn’t going anywhere, so I went inside to break it up, and I bought a coffee and a sandwich from the vending machines. I took them back out to the pool, to where I’d been sitting. But it had all changed. The water was flat and still. The pool, empty. He was gone, the swimmer. He would have…

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Margaret Drabble: The Dark Flood Rises

“There is no plot, and there doesn’t need to be.”
A review of Margaret Drabble’s ‘The Dark Flood Rises’ from Jennifer’s site:

Jennifer Bryce's avatarlittlesmackerel

Drabble 2

Margaret Drabble’s most recent novel weaves around De Beauvoir’s observation that with people living longer ‘their idleness [is] all the harder to bear . . . mere survival is worse than death’. The main character in this book is Fran, in her seventies, ‘too old to die young’. She is not idle – she works as an inspector of nursing homes and is thus in a position to muse about the various arrangements of the characters in this book – all connected by blood or friendship. There is no plot, and there doesn’t need to be. Each character has a different way of coping with their ‘long journey towards oblivion’, (from D.H. Lawrence’s The Ship of Death).

Drabble 1

The book’s title comes from this poem:

Piecemeal the body dies, and the timid soul

has her footing washed away, as the dark flood rises.

the ship of death 2

The title, for this reader, also suggested…

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Jennifer decides whether or not to plunge into Scrivener

Scrivener is a project management system for writers. You can access it easily on the Internet and it all seems pretty generous: 30 days free trial and those are not consecutive days, but the days you actually use the package.

I heard about it a couple of years ago when a couple of IT focussed guys at work raved about it as a way to write their novels. A story went around that the designer of Scrivener was writing a novel, but Scrivener itself was so successful that he abandoned his novel and lived off the proceeds of his software package. Full of scepticism, I downloaded the package and started to do the introductory tutorial. I persisted for about half an hour, then the ‘instructor’ announced something like, that’s the first part, now go and get yourself a cup of tea . . . This isn’t for me, I thought. I closed everything down and went back to using Word, keeping my work in folders, all embedded in a folder called ‘Writing’. Sometime last year I went to a workshop given by Toni Jordan – a writer I admire very much. She is very keen about Scrivener. If she uses it, I thought, I’d better give it another try. Writers’ Victoria advertised a workshop on Scrivener to be delivered by writer Alison Stuart. I gritted my teeth and enrolled. I took the workshop.

At the end of the full day workshop, I’m still not sure whether I will use it. I’ve got an idea for a novel-sized book and used that as a kind of ‘guinea pig’. I had a new thought about it this morning and went to the newly-created Scrivener file to make a note about it. That’s a good sign. But I still feel very constrained: you start with a Binder (like a big ring-binder folder) and in this you create whatever section you like, but if you’ve opted for ‘fiction’ you get choices such as ‘characters’ and ‘scene’. There’s an editing option (where you write stuff) and an Information section where you can store all the support material. I use old photographs a lot, you could also have pdfs of old newspapers, cartoons  . . . whatever. It will be useful to be able to have a split screen and write with this stimulus material next to the prose you are creating.

Writers are described as either Plotters (plan it all out first) or Pantsers (write off the seat of your pants). I’m a Pantser. The book that I’ve just (perhaps) finished started when I looked at an old photograph and grew with loads of twists, turns, diversions into 90,000 words. I think I’d have to regurgitate a first draft in Word and then sort it all out with Scrivener. Yet – I did go to Scrivener this morning when I had a new idea. So, I’m still thinking about it.

I can see that Scrivener would be excellent for writing non-fiction: you could keep interviews, notes, articles right next to you as you write. It would also be good for a detective story – easy to keep track of clues. And the only way to learn about such a package is to use it – so I’ll give it a try, for 30 days, at least.

SPEAKING IN TONGUES: THE MUSIC OF TIM DARGAVILLE

From Jennifer’s website:

Jennifer Bryce's avatarlittlesmackerel

A month or so ago I wrote of the first concert presented by an exciting new enterprise in Melbourne, the New Music Studio of the Melbourne Conservatorium of Music. Just recently, in the Salon of the Melbourne Recital Centre, the group presented music of Australian composer Tim Dargaville.

Tim Dargaville

The first three pieces referenced Tim’s special interest in Indian music –  particularly drumming. Indeed at the opening of Kolam, for saxophone quartet, Tim seemed to speak in tongues when he vocalised in a kind of drumming language. A kolam is a mandala-like drawing composed of a continuous line curving around a matrix of dots.  The traditional mandala, fashioned with rice, was usually at the entrance to a home; it was walked on and disappeared by the end of the day, so the next day another one would be made. This idea of continuity was apparent in the shape of the…

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