Currents: What I’m working on, by Helen McDonald

In recent weeks I have been aware of a light tap-tapping on my shoulder, sporadic but consistent, that I’ve been trying to ignore. Waving it away like a bothersome fly, I finally began to tune in after receiving my fifth, albeit encouraging, rejection from a literary journal.

I hasten to add that I have been fortunate enough to have had a number of my poems published, in Australia and overseas, so I know that the tap on my shoulder is not a gentle suggestion to pack away my pens and give it all up. My thinking has changed from the years when a ‘no’ from a publication would send me into a spiral of rejection with thoughts of ‘I’ll never be good enough!’ My mantra now, thanks to experience and the unwavering support of Elwood Writers, is: ‘this poem hasn’t found a home yet’. I’ve come to realise that it can all come down to a suitable ‘fit’ – whether the publisher or journal editor can find a place for this particular poem. It might not complement other work chosen for the collection, or indeed may not be what the editor has in mind. Of course we won’t always hit the jackpot. I’m jostling for recognition in a field of highly talented and creative poets. The way I write won’t appeal to everyone, and – this is an important point – one editor might love the piece, while another won’t be moved at all. In many cases it comes down to an individual’s choice.

I think the message I’m now receiving from the universe, is maybe it’s time to step back and reflect on exactly what I have been saying for all these years. I write because I have to and there’s always more to say. It’s my way of making sense of where I fit into the whole chaotic turbulence that is life. Affirmation is incredibly important to all artists, but so too is trusting in oneself.

So I’m taking time now to gather my poems into a collection that will say: this is me – my work, my thoughts. This is how I navigate this world. And I hope to learn something about myself along the way.

Currents: What I’m working on, by Jennifer Bryce

A couple of months ago I finished the manuscript of my second novel, working title Edith Ascending. Finished? I think we all know that a piece of writing is never ‘finished’. Even after my first novel was published and stacked on shelves within its beautiful cover, there were bits I wanted to rewrite – things I could have left out, things I could have added. But with Edith, I’d reached a stage where I needed to do something more than re-reading and tweaking. Fortunately this stage of my writing coincided with a program of Virtual Literary Speed Dating organised by the Australian Society of Authors (ASA).

Writers are aware that it is extremely hard to get commercially published in Australia if you are not well-known. But I wanted to give it a go. Get a literary agent? There are not many agents in Australia and most of them, it seems, don’t have room to take on new clients. The alternative is to trundle your manuscript around to publishers, hoping that one of them won’t assign your work to the slush pile.

If you are brave, Virtual Literary Speed Dating is another pathway to a publisher’s door. The ASA sets up a three-minute time-slot (on Zoom) where you can ‘sell’ your book to a publisher you’ve selected from a list of about 12 provided by ASA (some of these may not be suitable, for example if they mainly publish YA or children’s picture books). You have to be a member of ASA to participate.

I’d never before done any kind of speed dating, but the similarity with the more usual kind of dating is clear. Is this my kind of match? Do we like each other? Could we get along together?

I found the ASA very supportive. I attended a preliminary online workshop where there was advice about preparing for the three-minute presentation, including a suggested template for structuring your pitch. Spend 1½ minutes outlining what you want to pitch: genre, word count, brief synopsis and a selection of three or four similar books – I tried to select titles from the list of the publisher I was pitching to. Then 30 seconds on why you wrote the book: I was inspired by a particular composer, etc. And finally, 45 seconds about yourself (the most difficult): previous publications, writing courses you’ve taken, other publicity such as radio interviews.

I don’t know how many times I recorded myself practising my pitch, timing the presentation to within a microsecond! I discovered that you can look at the camera on your laptop whilst reading from notes stuck to the side of the screen – better than glancing down the screen to read a document and thus not looking straight at the camera. My colleagues from Elwood Writers were a huge support, both in suggestions for my synopsis and bio, and also in keeping the presentation enthusiastic.

It was all worthwhile. I think I was fortunate that the publisher’s representative who heard my pitch is interested in music and asked to read the whole manuscript, which is the best outcome I could hope for. This doesn’t mean that they will take on the publication, but it’s a step in that direction – a very pleasing result.

Currents

One of the longer pieces I’m currently working on takes a fresh look at the dynamics of ease/unease in online spaces such as those described in ‘Twitch’.
from “The story behind ‘Twitch'” at barryleethompson.com

In Barry’s recent blog about the background to his short story ‘Twitch’, he talks briefly about a story he’s currently writing that shares similar themes. It’d be interesting to hear more about this new story sometime. Come to think of it, it’d be great to hear a little about what other members of Elwood Writers are working on at the moment. But only those who want to share. Writers don’t always like or feel comfortable discussing current work, for a variety of entirely understandable reasons. Oh, hang on just a moment, there’s a call coming in … why, it’s Jennifer Bryce – what a nice surprise! What’s that, Jennifer, you’d love to tell us about a project you’re working on? Well, we’d love to hear about it, so please go right ahead, in your own time. Absolutely no rush.

And now that a forthcoming blog post has been successfully solicited, let’s continue with the current project of spending this wintry Melbourne Saturday afternoon in the warmest way possible, all cosied-up with a good book. The Evenings by Gerard Reve, if anyone’s interested. But first let’s pop the kettle on and open up the cookie tin.

Have a peaceful weekend, everyone.