Reflections on a Writing Retreat

In February, Elwood Writers went away on a retreat – our first as a group. We rented a cottage in Victoria’s spa country, on the land of the Dja Dja Wurrung people. Our honorary canine member and muse, Ruby, joined us, enjoying the run of a huge backyard – the leafy haunt of kangaroos, possums and other bush creatures. A ten-minute walk from the cottage lay sleepy Hepburn Springs; forty minutes the other way, the gentle streets and beautiful lake of Daylesford.

We’d loaded the cars with supplies, so had everything we needed on arrival. We took turns cooking the evening meal, and on the fourth night we enjoyed feasting on all the leftovers. After dinner each night, over coffee and tea, we read our work aloud and discussed it, accompanied by Ruby’s contented snores. There were always nibbles on the table — a square of vegan chocolate, a morsel of fruit, a handful of nuts. Not quite dessert or afters, and certainly not pudding — more like mignardises, perhaps. Just enough to linger over as the evening unspooled.


From Helen: 

“For me to leave behind the myriad distractions of daily living and immerse myself in all things writerly was a gift. This was my first writers retreat and I set myself a list of goals before I left home, my main plan being to finally complete a long-term project: a draft of my first collection of poems. With this total focus on the job at hand, along with evening readings and daily check-ins with my fellow Elwood Writers, I found my focus. It was with a sense of achievement that I entered the last poem into my manuscript at the end of the week. 

“There was time and opportunity also to develop those poems and jottings I considered to have ‘legs’ and read those aloud after supper. There are, of course, other ambitions I wish to pursue, and I can’t wait for our next writers retreat in July to knuckle down, ears closed to all but the crackle of firewood.”


From Barry:

“I set an intention from the start: to read out around 1,500 words from my manuscript each evening. I managed to meet that goal, and one night read closer to 2,500 words. Helen and Margaret are generous, patient listeners, and always provide constructive and insightful responses. In all, during the week away, I presented close to 10,000 words of the novel. More of a writing intensive than a retreat!

“I enjoy crunching numbers, and that 10,000 words represents a fifth of the entire manuscript. Keeping figures like this in mind gives me a sense of where I am, and how the work is progressing. That it’s progressing at all is very satisfying.”


From Margaret:

“No sooner was I there … than I went on an excursion into town. On the day of our arrival, I’d spied a small, cosy café in the main street, which looked perfect for writing. Sure enough, it turned out to be a lovely, muted space with excellent hot chocolate to boot. I’d become one of those people who dreams of travelling to Paris, but once there immediately plans on where to go next.

“On the first day in my regional café, I asked the barista why it was named The Himalayan. He explained that it had something to do with the area’s geographical ‘ley lines’ and their connection to the powerful energy of Nepal. If this was so, then I’d found my spot. On the following day, the cafe’s electricity went out, forcing the other patrons to vacate. Only writers might say to themselves, oh good, now that it’s gone dark I have time to write and think. My piece was about Remembrance Day for soldiers (and their daughters), and in that instant I’d found my peace.”


And finally, some scenes from our time away:

Explore the Woodend Haiku Festival 2025

Thanks to Helen for letting us know that the Woodend Haiku Festival is taking place throughout April around the town. Festival director Myron Lysenko is the Victorian representative of the Australian Haiku Society, and also founder and convener of Chamber Poets.

Various events are occurring throughout this month, coinciding with International Haiku Day on April 17.

… include a month-long haiku contest with an autumn theme, pop-up haiku poetry recitals, a free haiku picnic from 10am–1pm on April 2 at the Woodend Children’s Park, and a haiku-focused Chamber Poets event from 1–4pm on April 12.

Star Weekly 01/04/2025

The full program is detailed below:

WOODEND HAIKU FESTIVAL PROGRAM

1—30 April. Haiku contest on the theme of autumn. 

1—30 April Pop-up Public Haiku Poets. 

2 April 10am-1pm Haiku Picnic. Woodend Children’s Park.

12 April 1pm-4pm Chamber Poets #109, Woodend RSL. Featuring internationally renowned poets from the Victorian based haiku group The Fringe Myrtles, plus Open Section and haiku music by Black Forest Smoke. 

17 April 10am-midday Woodend Library. Free. Celebrate the magical, wonderful world of haiku. Listen to readings or be guided into writing your own. 

17 April 1.30-3.30pm Woodend Neighbourhood House. Free. Poets will read haiku to you, write one about you or help you write one. 

30 April 6pm- 8pm Haiku Dinner at the Victoria Hotel, Woodend. $22 for meal and a drink.

Local poet and festival director, Myron Lysenko, is a representative of the Australian Haiku Society and has organised a range of activities to celebrate all things haiku, coinciding with International Haiku Day on April 17.

Midland Express 26/03/2025

Two press articles feature the festival: Star Weekly‘s current edition has a piece on Chamber Poets, including interviews with Myron and some of the collective volunteers, including our very own Helen McDonald. You can read the article by clicking here. And read the Midland Express feature by clicking here.

Star Weekly 01/04/2025: Chamber Poets convener Myron Lysenko, and collective volunteers Jenny Zimmerman, Helen McDonald, Wendy Purcell, Talon Gostelow and Linda Stuart at the Woodend RSL. (Damjan Janevski). 466737_01

Tell Me a Story

When I was a child, our mother used to read to my younger brother and me. By the time she had three more sons, she’d run out of steam; probably driven hoarse by my begging for more. There’s something magic about listening to a story that never loses favour. That’s why Tim McQueen’s program Cover to Cover (CTC) on Vision Australia Radio is a gift to his audience.

In October, Elwood Writers recorded our work for a CTC literary broadcast: Helen read her poetry and haiku, Barry his fiction noir, and I, a personal essay.

My story ‘Tommy’ is about a childhood friend who left Melbourne for London in the early seventies. His artistic dreams took him around the world before he settled back in England. His sudden death this year sparked memories for me of what he called our ‘naïve’ youth. 

I worked on the memoir piece with the unstinting support of fellow Elwood Writers. When the opportunity came to record our work for an episode of Cover to Cover, I grabbed it with gusto. We have read almost annually for the program, but this time – perhaps because it was a ‘writers’ choice’ theme – I set about rehearsing properly. I practised by our local river, recording the story over and over while waiting for the birds and wood spirits to offer their free opinions. For me, parrots represent good omens, and a rare call from the lofty kookaburra can verge on the mystical.

Cover to Cover is popular with long haul drivers who may tire of the news cycle. Knowing there’d be listener scrutiny for our pieces sharpened my resolve to create flow and purpose in a way that simply leaving the words on the page might not have.

By the time of recording, I was as ready as I’d ever be. When the program aired, I returned to the river to listen and walk. I could hear in my voice unnecessary pauses, and a lisp I thought I’d left behind in childhood. But all in all, the reading – guided by Tommy’s effervescent spirit – made for a peaceful way to farewell my friend. Nothing one does will bring a person back, but shaping and chronicling days we had together can help.

Barry and Helen are masterful story tellers and literary performers. Now I’m a convert to the spoken word and an advocate for live readings being a part of a writer’s arsenal. I can’t recommend it highly enough. Consider it the gift of story to both listener and reader. Oh, and to writer too.

Helen McDonald: Poetry on Cover to Cover, Episode 552

A selection of Helen’s poetry and haiku, read by Helen herself, was broadcast recently on Vision Australia Radio’s weekly literary program Cover to Cover. Episode 552 went to air on Friday 22nd November, repeated Sunday 24th November. Fabulous, Helen – what a treat!

In case you missed the program, the podcast (published Nov 26, 2024 at 2:11 PM) is available below:

Also included in this program are Katherine Mansfield’s ‘The Sister of the Baroness’ and Damon Runyon’s ‘The Broadway Financier’, both read by Barry Leviny.

A sound file of the recording can be accessed by clicking here.

Cover to Cover is produced in the studios of Vision Australia Radio in Kooyong. The program is presented each Friday evening by Tim McQueen, and repeated on Sunday afternoons.

Happy listening!

EW

Listen up!

🎧 Tune in to Cover to Cover on Vision Australia Radio this Friday evening – it’s another Elwood Writers special! 🎧

Elwood Writers presents: The Writers’ Choice, includes:

📖 Memoirs by Margaret McCaffrey
📚 A new short story by Barry Lee Thompson
🖋️ Selections of poems and haiku by Helen McDonald

Don’t miss this literary showcase!

Vision Australia Radio

Check varadio.org for program times near you. If you can’t join us on Friday, catch the repeat broadcast on Sunday. And if you can’t make that either, we’ll be sharing a recording or podcast of the program on this site next week. So if you haven’t already, subscribe to Elwood Writers below to stay in the loop – it’s completely free and will remain free forever. How fab is that!

Happy listening!

EW

P.S. Do subscribe if you haven’t already – it’s a really good way to support our work, and we promise you won’t be disappointed. That subscribe button is coming up again at the end of the post. Here it comes …

Helen’s year keeps on giving

Just when we thought we could rest on our literary laurels as the quietness of Christmas and the holiday season descends, Helen called the Elwood Writers office and was delighted to share some exciting news: her poem ‘Glimpse’ is included in the just-published WA Poets Inc online quarterly journal Creatrix #63. Congratulations, Helen! You can read Helen’s poem by clicking here.

But wait, there’s more: her one-line senryu (loosely defined as similar in structure to a haiku but without the seasonal reference, and depicting human foibles) is published in failed haikua journal of English Senryu | Volume 8, Issue 96 (USA). We’ve downloaded the issue so you don’t have to, and you can read it by clicking the link here. This collection of short-form poems is pithy, poignant, and funny, and definitely packs a punch. All the poems are well worth your time, and you’ll find Helen’s on page 150. Each month poets from all over the world submit to this US-based journal. It’s interesting to read what the publication and its people are all about, so if you’d like to know more, just head on over to their ‘About’ page by clicking the link here.

Well done, Helen – your year clearly isn’t over until it’s over! What a wonderful way to see out 2023 and welcome 2024 …

Happy reading to all, as always,

EW

under the same moon

Alive with birds and frogs, suffused with the threat of bushfire and flood, these haiku sing with the uniqueness of Australian life. The skill on show is breathtaking, as distinctive individual voices lay bare moments of joy, loss, awareness and connection to inner and outer landscapes. 

Esther Ottaway, Winner, Tim Thorne Poetry Prize, Arts Tasmania Literary Awards, 2022

Congratulations to Helen McDonald of Elwood Writers on having three haiku included in under the same moon: Fourth Australian Haiku Anthology (eds. Lyn Reeves, Vanessa Proctor, Rob Scott).

Each poet in the book is “helping to form and shape a unique Australian voice, whether that is through haiku with distinctly Australian kigo or through senryu which explores the human element of life in this country from its cities, suburbs and rural towns to the natural environment”.

Published by Forty South in Tasmania, this beautiful book is available directly from the online shop at the publisher’s website. Simply click here for more information.

Well done, Helen. We can’t wait to read this!

Happy reading to everyone.

EW

Local Lines from Helen McDonald

Congratulations to Helen on having a selection of haiku published in a recent bumper edition of The Local. You’ll find Helen’s haiku in Local Lines on page 76 at the following link:

The Local February 27, 2023 Issue 274

The Local is distributed throughout the Central Highlands including Daylesford, Hepburn, Trentham, Kyneton, Malmsbury, Lyonville, Glenlyon, Tylden, Newlyn, Blampied, Creswick, Clunes, Blackwood, Woodend – and everywhere in-between.

Well done, Helen.

Happy reading, everyone!

EW

The Gift of Reading

It’s that time of the year again. How quickly it comes around. Maybe you’re on the lookout for some original festive gift ideas? For the reader in your life, might we suggest a copy of the Elwood Writers anthology Every Second Tuesday? We think there’s something in the book for everyone. But don’t just take our word for it:

The anthology Every Second Tuesday hangs together well. It covers periods from the First World War to the far-too-soon future, with a variety of poetry, memoir, fact and fiction. The evocation of place, from the 1916 trenches near Boulogne to Luna Park in St Kilda is marvellous. Each of the authors has their own distinct voice – the voices blend together like a great choir.

Tim McQueen | Producer and presenter of Cover to Cover, Vision Australia Radio

You can order the paperback from most online platforms. Book Depository offers free worldwide delivery, and they currently have 10% off their list price – find them at the link below:

Every Second Tuesday at Book Depository

If ebooks are preferred, Every Second Tuesday is available from all the major retailers, including the one below:

Every Second Tuesday Kindle Edition

Why not share the wonderful gift of reading this December? Books make great stocking fillers, and you’ll also be supporting Australian writing.

Happy December,

EW

Currents: What I’m working on, by Helen McDonald

In recent weeks I have been aware of a light tap-tapping on my shoulder, sporadic but consistent, that I’ve been trying to ignore. Waving it away like a bothersome fly, I finally began to tune in after receiving my fifth, albeit encouraging, rejection from a literary journal. 

I hasten to add that I have been fortunate enough to have had a number of my poems published, in Australia and overseas, so I know that the tap on my shoulder is not a gentle suggestion to pack away my pens and give it all up. My thinking has changed from the years when a ‘no’ from a publication would send me into a spiral of rejection with thoughts of ‘I’ll never be good enough!’ My mantra now, thanks to experience and the unwavering support of Elwood Writers, is: ‘this poem hasn’t found a home yet’. I’ve come to realise that it can all come down to a suitable ‘fit’ – whether the publisher or journal editor can find a place for this particular poem. It might not complement other work chosen for the collection, or indeed may not be what the editor has in mind. Of course we won’t always hit the jackpot. I’m jostling for recognition in a field of highly talented and creative poets. The way I write won’t appeal to everyone, and – this is an important point – one editor might love the piece, while another won’t be moved at all. In many cases it comes down to an individual’s choice.

I think the message I’m now receiving from the universe, is maybe it’s time to step back and reflect on exactly what I have been saying for all these years. I write because I have to and there’s always more to say.  It’s my way of making sense of where I fit into the whole chaotic turbulence that is life. Affirmation is incredibly important to all artists, but so too is trusting in oneself. 

So I’m taking time now to gather my poems into a collection that will say: this is me – my work, my thoughts. This is how I navigate this world. And I hope to learn something about myself along the way.