I visit my writing several times throughout the day. Sessions vary from five minute bursts to extended periods of a few hours. This way, I can put in a minimum of a couple of hours a day, and often more like four to five. This is a framework. I have a home workspace – a place for my computer, books and tools – but can work anywhere.

Writing isn’t just a physical process of working with words on a page. It’s the creative and percolative activity that goes on in the spaces. In other words, the work also happens while reading, daydreaming, riding the bike, poking around, or what-have-you.

I’m never without a paper notebook. I keep the old ones stored in a filing cabinet. Captured moments. Conversations, song lyrics, glances, peripheral observations. The unorthodox, discordant, and mundane. Here, an obsessive mind might be a fortunate trait.

Short fiction suits my temperament and way of working. A new story can begin from a blank page, or a paragraph or phrase within an existing piece of writing. I rarely delete. An opportunity arises, such as a competition or a callout for submissions, and I circle round until I land on a fragment of material that captures my interest, and then begin to shape it into a new piece. Experimentation is thrilling, and I love the idea of development through failure. It’s a playful process, and instinct plays a part. Sentences are the building blocks of a story, and proficiency in them gives a reader confidence that they’re in capable hands, so allowing greater experimentation within the work.

Reading aloud, and listening to playbacks, I imagine works as radio pieces. Listening enables an objective sentence by sentence edit, and a chance to gauge the texture, mood, rhythms and poetry of the prose.

Writing can help to make life navigable. Anxieties, uncertainties and ambiguities can be contained and explored on the page through the endless possibilities of fictional forms.