Reflections on a Writing Retreat

In February, Elwood Writers went away on a retreat – our first as a group. We rented a cottage in Victoria’s spa country, on the land of the Dja Dja Wurrung people. Our honorary canine member and muse, Ruby, joined us, enjoying the run of a huge backyard – the leafy haunt of kangaroos, possums and other bush creatures. A ten-minute walk from the cottage lay sleepy Hepburn Springs; forty minutes the other way, the gentle streets and beautiful lake of Daylesford.

We’d loaded the cars with supplies, so had everything we needed on arrival. We took turns cooking the evening meal, and on the fourth night we enjoyed feasting on all the leftovers. After dinner each night, over coffee and tea, we read our work aloud and discussed it, accompanied by Ruby’s contented snores. There were always nibbles on the table — a square of vegan chocolate, a morsel of fruit, a handful of nuts. Not quite dessert or afters, and certainly not pudding — more like mignardises, perhaps. Just enough to linger over as the evening unspooled.


From Helen: 

“For me to leave behind the myriad distractions of daily living and immerse myself in all things writerly was a gift. This was my first writers retreat and I set myself a list of goals before I left home, my main plan being to finally complete a long-term project: a draft of my first collection of poems. With this total focus on the job at hand, along with evening readings and daily check-ins with my fellow Elwood Writers, I found my focus. It was with a sense of achievement that I entered the last poem into my manuscript at the end of the week. 

“There was time and opportunity also to develop those poems and jottings I considered to have ‘legs’ and read those aloud after supper. There are, of course, other ambitions I wish to pursue, and I can’t wait for our next writers retreat in July to knuckle down, ears closed to all but the crackle of firewood.”


From Barry:

“I set an intention from the start: to read out around 1,500 words from my manuscript each evening. I managed to meet that goal, and one night read closer to 2,500 words. Helen and Margaret are generous, patient listeners, and always provide constructive and insightful responses. In all, during the week away, I presented close to 10,000 words of the novel. More of a writing intensive than a retreat!

“I enjoy crunching numbers, and that 10,000 words represents a fifth of the entire manuscript. Keeping figures like this in mind gives me a sense of where I am, and how the work is progressing. That it’s progressing at all is very satisfying.”


From Margaret:

“No sooner was I there … than I went on an excursion into town. On the day of our arrival, I’d spied a small, cosy café in the main street, which looked perfect for writing. Sure enough, it turned out to be a lovely, muted space with excellent hot chocolate to boot. I’d become one of those people who dreams of travelling to Paris, but once there immediately plans on where to go next.

“On the first day in my regional café, I asked the barista why it was named The Himalayan. He explained that it had something to do with the area’s geographical ‘ley lines’ and their connection to the powerful energy of Nepal. If this was so, then I’d found my spot. On the following day, the cafe’s electricity went out, forcing the other patrons to vacate. Only writers might say to themselves, oh good, now that it’s gone dark I have time to write and think. My piece was about Remembrance Day for soldiers (and their daughters), and in that instant I’d found my peace.”


And finally, some scenes from our time away:

Tell Me a Story

When I was a child, our mother used to read to my younger brother and me. By the time she had three more sons, she’d run out of steam; probably driven hoarse by my begging for more. There’s something magic about listening to a story that never loses favour. That’s why Tim McQueen’s program Cover to Cover (CTC) on Vision Australia Radio is a gift to his audience.

In October, Elwood Writers recorded our work for a CTC literary broadcast: Helen read her poetry and haiku, Barry his fiction noir, and I, a personal essay.

My story ‘Tommy’ is about a childhood friend who left Melbourne for London in the early seventies. His artistic dreams took him around the world before he settled back in England. His sudden death this year sparked memories for me of what he called our ‘naïve’ youth. 

I worked on the memoir piece with the unstinting support of fellow Elwood Writers. When the opportunity came to record our work for an episode of Cover to Cover, I grabbed it with gusto. We have read almost annually for the program, but this time – perhaps because it was a ‘writers’ choice’ theme – I set about rehearsing properly. I practised by our local river, recording the story over and over while waiting for the birds and wood spirits to offer their free opinions. For me, parrots represent good omens, and a rare call from the lofty kookaburra can verge on the mystical.

Cover to Cover is popular with long haul drivers who may tire of the news cycle. Knowing there’d be listener scrutiny for our pieces sharpened my resolve to create flow and purpose in a way that simply leaving the words on the page might not have.

By the time of recording, I was as ready as I’d ever be. When the program aired, I returned to the river to listen and walk. I could hear in my voice unnecessary pauses, and a lisp I thought I’d left behind in childhood. But all in all, the reading – guided by Tommy’s effervescent spirit – made for a peaceful way to farewell my friend. Nothing one does will bring a person back, but shaping and chronicling days we had together can help.

Barry and Helen are masterful story tellers and literary performers. Now I’m a convert to the spoken word and an advocate for live readings being a part of a writer’s arsenal. I can’t recommend it highly enough. Consider it the gift of story to both listener and reader. Oh, and to writer too.

Currents: What I’m working on, by Barry Lee Thompson

Here, better late than never, is my contribution to the Elwood Writers ‘Currents’ series, where members of the group talk about what they’re currently working on. Jenny started the ball rolling with her post from 17 July 2022, followed by Helen on 2 November of that year.

Initially I wanted my second book to be a linked collection of four novellas, each exploring an aspect of life after dark. There are some people for whom daytime spaces can be alienating, even suffocating – for them the night can be a source of ease, and it’s that ease that interests me. But as I began to write the stories, the lines between them blurred, they began to overlap, and I came to realise that it might be more useful to think of the work as a novel.

I’ve been constructing the novel piece by piece, building a narrative from smaller stories and vignettes – writing in the spaces, elaborating, moving parts around, solving problems of place, structure, tense and point of view as I go. I might think, here’s a pertinent episode: how do I fit it in? It’s an absorbing project.

In an Elwood Writers workshop in 2022 I set myself a goal of having an entire draft ready by the end of 2023. A lot happened for the group last year, and the months sped by faster than I had anticipated. So I adjusted the goal to the end of this year. Which is already in sight. Or maybe it’s ages away, depending on your attitude. But whether looming or distant, I enjoy having a deadline of some kind in mind – it keeps me on my toes. And there’s always room for adjustments.

The Gift of Reading

It’s that time of the year again. How quickly it comes around. Maybe you’re on the lookout for some original festive gift ideas? For the reader in your life, might we suggest a copy of the Elwood Writers anthology Every Second Tuesday? We think there’s something in the book for everyone. But don’t just take our word for it:

The anthology Every Second Tuesday hangs together well. It covers periods from the First World War to the far-too-soon future, with a variety of poetry, memoir, fact and fiction. The evocation of place, from the 1916 trenches near Boulogne to Luna Park in St Kilda is marvellous. Each of the authors has their own distinct voice – the voices blend together like a great choir.

Tim McQueen | Producer and presenter of Cover to Cover, Vision Australia Radio

You can order the paperback from most online platforms. Book Depository offers free worldwide delivery, and they currently have 10% off their list price – find them at the link below:

Every Second Tuesday at Book Depository

If ebooks are preferred, Every Second Tuesday is available from all the major retailers, including the one below:

Every Second Tuesday Kindle Edition

Why not share the wonderful gift of reading this December? Books make great stocking fillers, and you’ll also be supporting Australian writing.

Happy December,

EW

podcast: all about Adelaide, on Cover to Cover

The podcast of last week’s special episode of Cover to Cover is now available. The program features Elwood Writers and our individual takes on the theme of ‘Adelaide’. If you’d like to listen to, download, or share the podcast, or browse previous episodes of Cover to Cover or other Vision Australia Radio programs, visit the following link:

https://omny.fm/shows/cover-to-cover/cover-to-cover-episode-416-15th-april-2022

If you don’t want to move away from this page, you can dive straight in and listen now, below:

Cover to Cover Episode 416 15th April 2022

Thanks as always to Tim McQueen and the team at Vision Australia Radio.

We hope you enjoy the show. Happy listening,

Elwood Writers

San Fedele Press: The Second Ice Cream Social | reviewed by Jennifer Bryce

Most of us here in Australia were sipping coffee rather than eating ice cream when we logged into the Ice Cream Social at 7.30 am Eastern Australian Daylight Time on Sunday 31st October – it was 4.30 pm Saturday in New Jersey. Patricia A. Florio, the founding publisher of American Writers Review, was a most welcoming convenor.

Continue reading “San Fedele Press: The Second Ice Cream Social | reviewed by Jennifer Bryce”

Fisher Girls on Island

Looking around for some reading for this very wet and cool day in old Melbourne town, we found just the thing: a brand new short story from Barry, available on Island Online. We’re going to make a nice hot cup of coffee, grab a few Bourbon biscuits, settle down into our favourite armchair, and get stuck in. Wherever you are in the world, and whatever your favourite cookie, you can read ‘Fisher Girls’ in full by clicking here. Enjoy.

In 2021, we take a bold new step: complementing our signature print magazine, our new website now regularly publishes new online content, and also buried treasures from our rich 40+ year archive.

Island

https://islandmag.com/read/fisher-girls-by-barry-lee-thompson

Happy reading, as always!

A question of websites: Barry answers

Thanks for inviting me to answer your website questions, Elwood Writers. Here are my responses.


What was your original intention when setting up your website?

It was a while ago, but if I cast my mind back, one of the main things was having some kind of online presence, in line with advice I was hearing at literary events. I spent ages debating the pros and cons, on paper and with Elwood Writers. The details are swirling in the mists of time, but I concluded that it’d be a good idea to start a blog. I began with wild and ambitious ideas for its direction. It would be different to anything that had ever gone before (!), an experimental fictional adventure. I would write a brand new post every day. Or more! These were early ramblings, and useful to have had because now I needn’t wander there ever again. It’s been invaluable throughout to discuss aspects of building an online presence with the group. In a sense, we all came to the brave new online literary world together, so it’s been very much a shared experience.

Continue reading “A question of websites: Barry answers”

American Writers Review 2021: Turmoil and Recovery

As of this writing, the pandemic continues, killing record numbers of people. Moreover, countries that had enjoyed democratic governments are facing authoritarian attacks. Divisions run through the fabric of our homes, our families, our nations. At the same moment, there are wellsprings of hope, love, and connection.

‘Our 2021 Issue’, from American Writers Review website

A brand new edition of American Writers Review has just been released by San Fedele Press, and once again we’re excited to see the journal featuring original work from our own Elwood Writers Helen McDonald and Barry Lee Thompson.

American Writers Review 2021: Turmoil and Recovery

Helen has three poems in the book: ‘Aftermath’, ‘Covid Lockdown (an Haibun)’, and ‘Restoration’.

From Barry, there are three short stories: ‘Glassy’, ‘Afterdark’, and ‘First Day Of Summer’.

For more information, including how to get hold of a copy of American Writers Review 2021: Turmoil and Recovery, follow the links found here.

Congratulations to everyone involved in this latest issue. We can’t wait to get our hands on it.

Happy reading and writing, as always.

Elwood Writers